The four works in Letter, Testimony are Letters from Panduranga (2015) by Vietnamese artist Nguyen Trinh Thi, Seaside Cemetery (2023) by Chinese artist Zhu Xiang, Inextinguishable Fire (1969) by Czech-born German artist Harun Farocki, and The Almost Perfect Crime (2022) by Chinese artist Hu Wei.

Wang said the screening, through the narration of personal, familial, and communal letters, alongside the continuous repetition and deconstruction of testimonies, seeks to examine how and why narrations and images from the past are produced, by whom, and under what institutional governance they are created and preserved.